Trojan War Essay -- essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  In the book The Trojan War, by Bernard Evslin, Ulysses and Agamemnon both contribute to the Greek’s victory. Many considered Ulysses to be the real brains behind the Greek forces. Although Agamemnon was the leader of the Greeks, many would say he was not a good one. Even though Agamemnon did some good deeds during the war, many of his actions caused problems, and Ulysses often had to come to his rescue.   Ã‚  Ã‚  Ã‚  Ã‚  With Ulysses on the Greeks side they had amazing intelligence and bravery. Many great things happened because of Ulysses leadership. One example is when Ulysses dressed as a peddler, found where Achilles was hiding, and brought him back to fight in the war. Ulysses knew he had to find Achilles because the prophecies told the Greeks they couldn’t win the war without him. Secondly, Ulysses convinced the Greek forces to return and fight after Agamemnon almost lost them. He yelled to the troops â€Å"Stop! Agamemnon means battle and not retreat, you misunderstood his words† (p. 42). Lastly, Ulysses showed great smartness when he solved the riddle about the Trojan War. By him solving the riddle, the Greeks came to win the long war. Ulysses was also smart enough to think of hollowing out the horse so the Greeks could hide inside them and attack the Trojans while they were sleeping. He showed intelligence too when he pretended the horse was a sacrifice to the god Poseidon. The war may not have turned out the same if the Greeks ...

Gender and Sexuality in “Twelfth Night” and “The Merchant of Venice” Essay

â€Å"Twelfth Night† and â€Å"The Merchant of Venice† are two of William Shakespeare’s comedies which are famous for their theme of sexuality and cross-dressing characters. â€Å"Twelfth Night† tells the story of a young woman named Viola who pretends to be a man to be able to find work in the household of the Duke of Illyria. On the other hand, â€Å"The Merchant of Venice† is a story of a merchant named Antonio who helps his friend Bassanio to win the hands of his love, Portia, by allowing Bassanio to loan money from Shylock and to make Antonio his loan guarantor. These two Shakespearean comedies similarly contain scenes where a woman cross-dresses as a man to achieve a particular goal. In â€Å"Twelfth Night,† Viola pretends to be a man named Cesario to able to get a job under Duke Ullyria, while in â€Å"The Merchant of Venice,† Portia and Nerissa dress as men to prevent Shylock from taking a pound of Antonio’s flesh. The cross-dressing of the characters, therefore, reveals a theme of sexuality in the plays. Another aspect in the plays that discloses the theme of sexuality is the concept of close friendships or attraction between the same-sex characters in the stories such as Antonio and Bassanio in â€Å"The Merchant of Venice,† Olivia and Viola (pretending to be Cesario), Antonio and Sebastian, and Duke Orsino and Cesario (finally revealed as Viola) in â€Å"Twelfth Night.† These complicated relationships in the stories show the complexity of sexuality and gender in relation to the attraction, whether physical or emotional, felt by the characters towards the other. With the characters cross-dressing, Shakespeare reveals the nature of sexuality in an obscure light. Brief Summary of â€Å"Twelfth Night† William Shakespeare’s â€Å"Twelfth Night† starts with a scene where the Duke Orsino of the kingdom of Illyria hangs around with music in the background as he thinks about his love for the beautiful Lady Olivia. Unfortunately, Olivia does not return his love because she is still in the midst of mourning for her brother who has died a long time ago. She rejects suitors and does not entertain marriage proposals. Unknown to these two characters, a young woman and survivor of a shipwreck with the name of Viola lands in the shore of Illyria. Unfamiliar with the place, she wonders if her twin brother Sebastian has died in the shipwreck. Upon hearing the story of Orsino and Olivia from a captain, she decides to work for Olivia in the meantime. However, upon finding out that Olivia does not entertain any strangers, she resorts to working for the Duke instead. This is where the pretension as a man starts. Viola begins dressing as a man with a new identity as Cesario. Duke Orsino immediately approves of Cesario and hires her as his messenger. The conflict of the story now arises as Viola begins to fall in love with the Duke who thinks she is a man, and he later asks Cesario to send his love letters to Olivia who, also believing that she is man, immediately falls for Cesario. In the end, all is revealed when Cesario and Duke Orsino arrive in Olivia’s house. Olivia greets Cesario with warmth believing her to be her new husband Sebastian, who was rescued by Antonio from the shipwreck. Witnessing this, Duke Orsino feels betrayed, but when the real Sebastian appears in the scene everyone realizes the truth of Viola and Sebastian’s personality. Duke Orsino proposes marriage to Viola upon finding out that he is truly in love with her, and Sir Toby and Maria also privately marry. The play ends with Malvolio being freed and feeling defeated. Sexuality and Gender in â€Å"Twelfth Night† â€Å"Twelfth Night† embodies a great deal of issues with regard to sexuality regardless of whether it is homosexuality or heterosexuality. Shakespeare has clearly illustrated the ambiguity of the nature of gender and sexuality. The issue of sexuality is evident as characters of the story have their own love interests. Firstly, Orsino’s love for Olivia is described by Cesario to be â€Å"With adorations, fertile tears, / With groans that thunder love, with sighs of fire† (1.5.238-239). Cesario’s line evidently depicts a passionate feeling which is intensified more by the use of words such as â€Å"adoration†, â€Å"groans†, â€Å"thunder† and â€Å"fire†. This choice of words obviously demonstrates an immense imagery of sexuality. It is also clear that Viola (as Cesario) has fallen in love with the Duke Orsino. She proclaims her misery in â€Å"wooing† his lady when in fact, she wishes to be his wife. â€Å"To woo your lady. Yet, a barful strife! / Whoe’er I woo, myself would be his wife† (1.4.41-42). The concept of hasty attractions between characters is always present in Shakespearean plays. In â€Å"Twelfth Night†, Viola quickly falls in love with the duke, Olivia also hastily becomes attracted to Cesario despite the fact the she has just met him, and Orsino swiftly switches his feelings from Olivia to Viola as soon as he finds out that Cesario is actually a woman. The notion of physical attraction to the opposite clearly demonstrates the concept of sexuality as the characters have not even spent enough time with each other to dismiss their feelings to be of love already. It is most likely to be feelings of lust as the characters would often refer to the physical attributes of the person first every time they ponder about love such as Olivia’s lines â€Å"I’ll be sworn thou art: / Thy tongue, thy face, thy limbs, actions, and spirit,† (1.5.273-274) The fact that Olivia also feels an attraction towards Cesario opens the issue of lesbianism as the audience all know that Cesario is Viola pretending to be a man. Her final monologue upon the departure of Cesario from Olivia’s house reveals her attraction towards the young and handsome messenger. â€Å"I’ll be sworn thou art: / Thy tongue, thy face, thy limbs, actions, and spirit, / Do give thee five-fold blazon. Not too fast: soft! soft!† (1.5.273-275). She is easily drawn to the sentimentality of Cesario’s idea when he declares that if he is the one courting Olivia and not his master, he would stay outside her gates and cry out his love for her until she takes pity on him. Viola’s assurance to Olivia as Cesario also reveals a somewhat obvious attraction of Cesario to Olivia. By delivering those lines, despite the fact the Cesario is a woman, shows that Cesario does believe that Lady Olivia is attractive and beautiful. â€Å"’Tis beauty truly blent, whose red and white / Nature’s own sweet and cunning hand laid on.† (1.5.222-223). He could not have delivered it so effectively without imagining Olivia to whom he is referring. Scholars agree that the concept of cross-dressing in Shakespeare’s plays illustrates the possibility of lessening conflicts between homosexuality and heterosexuality. â€Å"Perhaps, the cross-dressed heroines of ‘Twelfth Night or As You Like it offer a symbolic way in which the conflict between male-male friendships and heterosexual marriage can be reconciled† (Smith 147). Cleary, in Olivia’s case of falling for Cesario, she fell in love not only for his handsome appearance but also because he has the sincerity that a woman needs from a lover. Obviously, Orsino does not possess them as he makes no risky effort to prove his love to Olivia. All he does is merely whine and complain about how his love is unrequited. Another part in the story that engages in the theme of sexuality is the seemingly homosexual love of Antonio to Sebastian. After rescuing Sebastian from the shipwreck, Antonio goes with him wherever he decides to go. He even goes as far as accompanying him to Illyria where he has many enemies. â€Å"I have many enemies in Orsino’s court, / come what may, I do adore thee so / That danger shall seem sport, and I will go† (2.1.35-6). According to Smith, The word ‘adore’ is a strong one: â€Å"where it’s used elsewhere by Shakespeare, it tends to refer either to the love of mortals for gods, or for an exalted form of romantic courtship† (148). Antonio also entrusts his purse to Sebastian as they part, which reveals his genuine affection for Sebastian. This gesture clearly describes Antonio’s unrequited homosexual love for Sebastian. At the end of â€Å"Twelfth Night,† Duke Orsino still accepts Viola even after discovering that she has fooled him to believe that she was a man. Surprisingly, Orsino tells her that he actually loves her. â€Å"Boy, thou hast said to me a thousand times / Thou shall never shouldst love woman like to me† (5.1.259-260). It is noticeable that despite his confession of love to her, he still refers to him as â€Å"Boy,† which is an indication that he still sees her as Cesario. It can be dismissed that the Duke’s feelings towards Olivia and Viola may be just physical because he is easy to switch his feelings of love from Olivia to Viola. According to the book, A Companion to Shakespeare’s Works, â€Å"[i]n Twelfth night, embodied sexuality appears to be less important than clothing in establishing gendered identity† (Rackin 123). Brief Summary of â€Å"The Merchant of Venice† â€Å"The Merchant of Venice† is the story of Antonio, a Venetian merchant, who encounters a predicament when Bassanio borrowed a big amount of money from him so he could afford to travel to Belmont and win the hand of Portia. Antonio replies that he cannot lend him any money because he has already invested them on his trade ships, but he assures Bassanio that he could lend from any money lending investor and refer to him as a complete guarantor. The two men approach Shylock, a Jewish money lender who secretly despises Antonio for humiliating him numerous times in the past. He agrees to lend money to Bassanio under the condition that if Antonio fails to pay the debt, he is entitled to cut a pound of flesh from Antonio. They closed the deal. Fortunately, Bassanio is able to win Portia’s hand despite the complexity of her dead father’s will but when he finds out that Antonio’s trade ships have been reported missing, he goes back to Venice to help his friend out. With the help of the Duke of Venice and his hired attorney, Balthasar, who is in fact Portia pretending to be a man, try to convince Shylock to negotiate and just take double of the money that he has loaned to Bassanio. Shylock refuses to hear it and insists that he cuts a pound of Antonio’s flesh. Balthasar agrees by also adding that Shylock must cut the flesh without causing it to bleed or else all his properties would be confiscated. Unable to protest any longer, Shylock surrenders and agrees to take the money from Bassanio. He is then prosecuted for attempting to kill a citizen, so half of his properties must go to the government and the other half to Antonio. In the end, Bassanio and Graziano thank Balthasar and his assistant, who is actually Graziano’s wife Nerissa, by offering presents to them. Balthasar demands to have his ring to which Bassanio hesitates but later gives. Upon returning to Belmont, Portia and Nerissa confront and accuse their husband of infidelity because of the ring that they promised never to give under any circumstances. After a short while of arguments, they reconcile by revealing their true identities in the case of Shylock and Antonio. Sexuality and Gender in â€Å"The Merchant of Venice† Similar to â€Å"Twelfth Night†, â€Å"The Merchant of Venice† also includes a scene where a woman dresses as a man to accomplish a goal that would later benefit the protagonists at the end of the story. In this case, Portia is the woman character who pretends to be a male attorney to rescue Antonio from being cut by the vengeful Shylock. By using her wits and intelligence, she is able to notice a lapse in the earlier contract that the two men have agreed upon which leads to the successful negotiation of Shylock by just taking the money instead of taking a pound of Antonio’s flesh. In this regard, the empowerment of the female sexuality is insinuated by means of giving Portia authority in the case. The concept of feminism is clear in this play as female sexuality is deemed to be more empowered in the story than the male sexuality. Cross-dressing obviously plays a large role in symbolizing sexuality and gender in the play. â€Å"Shakespeare uses Portia’s disguise to highlight the struggle between heterosexual love and homosexual love found within the love triangle consisting of Portia, Bassanio, and Antonio† (eNotes.com). In the first part of the story, we witness Antonio’s unexplainable sadness, and when Bassanio arrives, he immediately asks him of his lady-love. This can be an indication that Antonio feels some kind of affection for Bassanio and it might be the reason why he cannot explain his own sadness. It is also apparent that upon Bassanio’s arrival, Antonio is very interested in finding out about Bassanio’s new love. Antonio’s reference to Basssanio as, â€Å"My purse, my person, my extremest means, / Lie all unlock’d to your occasions† (1.1.138-139), reveals an indication that there is more to Antonio’s brotherly feelings towards Bassanio. It is also clear that Antonio has lent Bassanio a big amount of money before and it is not the first time that Bassanio asks a big favor from him. This gesture of eminent closeness between two male friends demonstrates an implicit depth of relationship which is more than friendship. The pound of flesh can be a symbol of sexuality in the play. Flesh clearly symbolizes the lust of the flesh, and even though there is no direct evidence that Shylock is homosexual, it can be regarded that the symbolism of flesh refers to the other characters in the story. Clearly, there are a number of couples in the story such as Portia and Bassanio, Jessica and Lorenzo, and Nerissa and Graziano. This could be a reference that they are examples of people who lust after flesh because of their quick engagements despite the short span of time that they have known each other. It is also apparent that love in this play is much more associated with the hasty physical attraction rather than the concept of extensive courting and getting-to-know-each-other stage. The fact that Portia’s dead father prefers to have a groom for her who can luckily choose the right casket reveals that the present society of the play does not give much importance to feelings but more on practicality. The concept of patriarchal authority is also apparent in the plot of the play as symbolized by Portia’s father’s will. The will represents the authority that her father still has over her decisions despite the fact that he is already dead. The will, therefore, holds the remaining power of her father which clearly reveals a society where men rule. According the play’s guide, â€Å"The plot parallels and contrasts the rivalry between Portia and Antonio in the main plot and highlights the ‘conflict between male friendship and marriage’ which runs throughout [Shakespeare’s] works† (Janik 186). Clearly, in this play, Portia seems to be the hindrance between Antonio and Bassanio’s friendship. However, in the end, she proves to be the one with the authority, as she disguises herself as a man of law to save Antonio. Thus, Portia’s female sexuality becomes more authoritative in the play because she is able to resolve the problem that neither Antonio nor the Duke of Venice can resolve. Conclusion â€Å"Twelfth Night† and â€Å"The Merchant of Venice† encompass a complex plot of mistaken identities and deliberate cross-dressing. The fact that the female characters ultimately save the men from their miseries in the end proves that these Shakespearean plays also include the concept of feminism. However, the theme of sexuality is more focused on the relationships between the heterosexual major characters, while the implicit concept of homosexuality is ambiguous in the male-male friendships. Nevertheless, these two Shakespearean works still embody a story that modern readers could still relate to as the theme of sexuality is continuously present in our society. Works Cited Janik, Vicki K. The Merchant of Venice: A Guide to the Play. Connecticut: Greenwood Publishing Group, 2003. Rackin, Phyllis. â€Å"Shakespeare’s Crossdressing Comedies.† A Companion to Shakespeare’s Works. Eds. Richard Dutton and Jean Elizabeth Howard. United Kingdom: Blackwell Publishing, 2003. Shakespeare, William. The Merchant of Venice. Ed. Roma Gill. Oxford: Barron’s Educational Series, 2001. Shakespeare, William. Twelfth Night: Or, What You Will. Ed. Cedric Thomas Watts. Hertfordshire: Wordsworth Editions, 1992 Smith, Emma. The Cambridge Introduction to Shakespeare. United Kingdom: Cambridge University Press, 2007.   Ã¢â‚¬Å"The Merchant of Venice (Vol. 40): Introduction.† Shakespearean Criticism. Ed. Dana Ramel Barnes. Vol. 40. Gale Cengage, 2006. eNotes.com. 12 Mar 2009

The Colombia FARC Guerrilla Group

The Colombia FARC Guerrilla Group FARC is an acronym for Revolutionary Armed Forces of Colombia (Fuerzas Armadas Revolucionarias de Colombia). FARC was founded in Colombia in 1964. Objectives of FARC According to FARC, its goals are to represent Colombias rural poor by seizing power through armed revolution, and establishing government. FARC is a self-proclaimed Marxist-Leninist organization, which means it is committed in some fashion to the the redistribution of wealth among the countrys population. In keeping with this position, it opposes multinational corporations and the privatization of national resources. FARCs commitment to ideological goals has waned considerably; it often appears largely to be a criminal organization. Its supporters tend to join in search of employment, less than to fulfill political goals. Backing and Affiliation FARC has supported itself through a number of criminal means, most notably through its participation in the cocaine trade, from harvest to manufacture. It also has functioned, like the mafia, in rural areas of Colombia, requiring businesses to pay for their protection against attack. It has received outside support from Cuba. In early 2008, news surfaced, based on laptops from a FARC camp, that Venezuelan president Hugo Chavez had forced a strategic alliance with FARC to undermine Colombias government. Notable Attacks July 17, 2008: Eight civilians were kidnapped and held for a week before being released. FARC is estimated to be holding about 800 hostages.April 15, 2005: A cylinder gas bomb attack killed a child and injured over twenty civilians in the town of Toribio. The attack was part of FARCs ongoing conflict with the government. FARC has frequently been accused of causing unnecessary civilian deaths.June 3, 2004: 34 coca farmers were found bound and shot. FARC took responsibility, and said they had killed the men for support of right-wing paramilitaries. FARC was first established as a guerrilla fighting force. It is organized in military fashion, and governed by a secretariat. FARC has employed a vast array of tactics and techniques to achieve military and financial goals including bombings, assassinations, extortion, kidnapping and hijacking. It is estimated to have about 9,000 to 12,000 active members. Origins and Context FARC was created in a period of intense class turmoil in Colombia and after many years of severe violence over the distribution of land and wealth in the rural country. In the late 1950s, two warring political forces, Conservative and Liberals, backed by army power, joined to become a National Front and began consolidating their hold over Colombia. However, both were interested in helping large landowners invest in and use peasant land. FARC was created out of guerrilla forces that opposed this consolidation. The increasing pressure on peasants by the government and property owners in the 1970s helped FARC grow. It became a proper military organization and gained support from peasants, but also students and intellectuals. In 1980, peace talks between the government and FARC began. The government hoped to transform FARC into a political party. In the meantime, right wing paramilitary groups began to grow, in particular to protect the lucrative coca trade. In the wake of peace talk failures, violence between FARC, the army and the paramilitaries grew in the 1990s.

Elements of Art

Elements of Art Each work of art has elements of unity and elements of variety. Variety balances out unity and keeps things interesting. The center of interest or focal point is the place the artist draws your eyes first. Artists use balance in order to construct paintings. These elements of art such as unity, variety, focal point or area of interest and balance will be used to give you a better understanding. Examples from "Giorgio de Chirico" (The Mystery and Melancholy of a Street, 1914), "Pablo Picasso" (Seated Nude, 1909, Spanish), "Francisco de Goya" (Saturn Devouring His Children, 1819) and "Piet Mondrain" (Devotie, 1908) will be used merely as informational pieces to convey these elements of art.Some ways of creating unity might be to make everything in a painting a similar color, or a series of repeating shapes, or a consistent texture made with brush strokes. At times, variety coerces the eye to pay particular attention to that object.Piet Mondrain chairsVariety occurs when an artist creat es something that looks different from the rest of the artwork. For example, "Giorgio de Chirico", (The Mystery and Melancholy of a street, 1914) depicts unity and variety with light/dark (cooler and warmer hues) various shapes and lines. Unity is depicted in the repletion of the square windows, directly above the repletion of archways alongside two buildings. Variety is depicted in the chosen colors and various shapes and lines. In "Chirico's" oil canvas, variety is applied by the contrasting of warmer hues aside the cooler hues (light and dark) conveying both space/distance and receding/closeness. The unity and variety in this canvas is brought together through the repetition depicted on the two buildings, the warmer hues and light expressing depth and the cooler hues and dark expressing the closeness. These same principles of the elements...

Strategies set in place do not solve the drug problem around the world Research Paper

Strategies set in place do not solve the drug problem around the world - Research Paper Example There are several social and environmental factors why people start using drugs. Types of drugs consumed depend upon the price and accessibility of particular drugs. There are many other reasons that push the young people towards drug abuse like family tensions, peer pressure, poor school performance, low self-esteem, inadequate social skills, depression and so on. There are various drug policies all over the world to fight against this grave social problem. Most of the policies strive towards creating awareness of the evils of drug abuse. With the rapid change of lifestyle, growing competition among peers in educational and professional arenas, drug abuse is an ever increasing social malady. The governments’ efforts of creating strategies to cope with drug abuse have so far been essentially unsuccessful. This paper focuses on drug policies and their inadequacy among young generation. Drug policies To fight drug use, it is imperative that effective preventive strategies be imp lemented. Such strategies must cover all stages of life, from infancy to adulthood. Such strategies can keep the youth away from consumption of all kinds of drugs including alcohol. The Center for Substance Abuse Prevention (CSAP) has adopted six kinds of preventive measures. The first one is Information dissemination that is designed to create awareness about drugs and alter the youth’s perspective of alcohol, tobacco and other drugs. The second one is Preventive education that enables the youth to acquire personal and social skills for better health, and this keeps them away from drug use. The third one includes Alternative approaches that assume that young people who get engaged in drug-free activities with be benefited by those activities rather than through activities concerned with drugs. The fourth one is Problem identification and referral involves those youth who have already been addicts of drugs and have drug-related physical or emotional problems, and suggesting t o those youth regarding appropriate treatments. The fifth one is Community-based process that enhances resources in the communities, for instance, building training agencies to promote awareness through education. The sixth one includes Environmental approaches that build policies to increase protection measures and reduce risk factors of drug use (Promising Strategies to Reduce Substance Abuse, 2000, pp.1-2). Legal drugs like alcohol and tobacco, and illicit drugs like cocaine, heroin, marijuana have many harmful affects. Alcohol consumption can lead to road accidents, domestic violence and crime. Heavy drinking can cause chronic diseases like liver cirrhosis and brain damage. If pregnant women consume alcohol, then there is possibility of birth defects. Smoking tobacco is a major cause of breathing problems and cancer. Illicit drug use can cause road accidents, violent outbursts and crime. Then there is also the risk of getting affected by HIV/AIDS through unsafe injection of illi cit drugs. The goal of National Drug Strategy 2010-2015 is to reduce the social, economic and health problems that occur due to drug use. The three approaches adopted are demand reduction, supply reduction and harm reduction. By demand reduction strategy, prevention measures are taken to reduce the consumption of alcohol and other drugs in the community. It also guides people to recover from the addiction and return to normal life. By supply reduction strateg

Rebuttal of an Evaluation Essay Example | Topics and Well Written Essays - 500 words

Rebuttal of an Evaluation - Essay Example He has said that this pain is expressed through â€Å"The Silent Scream† (Rice) that cannot be heard but can be seen. God is the creator of life and Satan is the destroyer, hence he has opined that abortion in way worship of Satan himself. Rice strongly announces his vote for right to life for the foetus and also told not to impose a decision of someone else’s on a coming child through deciding on his life and death. Rice’s argument against abortion lacks rationality and an emotional appeal rather than a reasoned one. The Silent Scream claim of Rice classifies the foetus as living and thus has a right to life. Biologically it is alive, but being alive neither provides it full human rights nor a right to live through the gestation period. Question might be asked why so? There are a bunch of reasons first of all a foetus carries human chromosome and left to grow it will be a human one day. It is a potential person, but our hair follicle also contains the same numbe r of DNA that it has. A zygote and a hair follicle contain the same attributes in terms of chromosomes and thus a zygote is as much a human as a hair follicle.

Analysis of Jean Watson's Transpersonal Caring Theory Essay

Analysis of Jean Watson's Transpersonal Caring Theory - Essay Example An in-depth analysis of the Jean Watson’s theory suggests that it promotes the worldview of pragmatism rather than realism. This can be estimated from the fact that realists consider reality independent of human mind. To realists, reality is what happens in the world of physics. Realism is more about technicality and science than spirituality or sociology. On the other hand, pragmatism is more concerned with the sociological side of the picture. Pragmatism promotes the belief that humans can make a difference by manipulating things in the right manner. To pragmatists, reality is what is experienced. Reality changes as experiences change. Thus, we can improve our experiences by applying theory into practice. Pragmatism essentially links theory to practice and this is indeed, the crux of Jean Watson’s theory. According to Watson, nursing is â€Å"a human science of persons and human health—illness experiences that are mediated by professional, personal, scientific , esthetic, and ethical human care transactions† Nurses can use Jean Watson’s theory as a guide to learn what kind of interpersonal skills are fundamental to the building up of their rapport with the patients. In order to inculcate the theoretical principles into their practice, nurses need to identify the elements Watson has stressed upon. There are three primary elements of the Jean Watson’s theory, which include the carative factors, the occasion of caring, and the transpersonal caring relationship (Cara, n.d.). ... To pragmatists, reality is what is experienced. Reality changes as experiences change. Thus, we can improve our experiences by applying theory into practice. Pragmatism essentially links theory to practice and this is indeed, the crux of Jean Watson’s theory. According to Watson, nursing is â€Å"a human science of persons and human health—illness experiences that are mediated by professional, personal, scientific, esthetic, and ethical human care transactions† (Watson, 1988, p. 54). Thus, Jean Watson’s theory is based upon the worldview of pragmatism. How can nurses use Jean Watson’s Theory to further nursing knowledge in practice? Nurses can use Jean Watson’s theory as a guide to learn what kind of interpersonal skills are fundamental to the building up of their rapport with the patients. In order to inculcate the theoretical principles into their practice, nurses need to identify the elements Watson has stressed upon. There are three prima ry elements of the Jean Watson’s theory, which include the carative factors, the occasion of caring, and the transpersonal caring relationship (Cara, n.d.). Watson has discussed carative factors in order to distinguish them from the conventional curative factors. Watson believes that the curative factors are meant to â€Å"honor the human dimensions of nursing’s work and the inner life world and subjective experiences of the people we serve† (Watson, 1997, p. 50). Nursing occasion is any occasion in which a nurse encounters a patient with a need of human caring. The transpersonal caring relationship is a human care relationship which is influenced by a nurse’s commitment towards her job and her moral understanding of the nursing practice. In order to integrate the nursing knowledge into the nursing practice,